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Katie Waring

@kaw22 Active 11 years, 3 months ago
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Profile picture of Katie Waring
  • Activity
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  • Sites 3
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    • Friendships
  • Groups 3
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Recent Blog Posts

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    Katie Waring wrote a new post on the site Fact vs. Nonfiction 11 years, 4 months ago

    ThumbnailThis post nicely sums up a lot of what we’ve been talking about this semester: is fact different from truth? How can anything be completely factual in CNF if nearly everything is, inherently, subjective and based […]

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    Katie Waring wrote a new post on the site Fact vs. Nonfiction 11 years, 5 months ago

    ThumbnailRoxane Gay, author of the 2014 essay collection Bad Feminist and former essays editor of The Rumpus, took to Twitter yesterday to share a few common reasons for why some essays are rejected from lit journals. This […]

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    Katie Waring wrote a new post on the site Fact vs. Nonfiction 11 years, 6 months ago

    ThumbnailAfter our class discussion last week, I was curious about whether or not Dr. Hayward Kreiger (the philosopher who supposedly wrote the introduction for Lying) was real. So, as I always do when I question the […]

  • Profile picture of Katie Waring

    Katie Waring wrote a new post on the site Fact vs. Nonfiction 11 years, 6 months ago

    ThumbnailWhen I was in the Poetry Workshop last semester with Lytton Smith, we read two poetry collections with documentary or journalistic elements–one of which was Erika Meitner’s Copia. In her collection, […]

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    Katie Waring wrote a new post on the site Fact vs. Nonfiction 11 years, 7 months ago

    ThumbnailAs we’re all knee-deep in the first few episodes of the Serial podcast, I stumbled across a video of Serial host Sarah Koenig being interviewed on The Colbert Report. While Colbert doesn’t dig too far into the […]

  • Profile picture of Katie Waring

    Katie Waring wrote a new post on the site Fact vs. Nonfiction 11 years, 7 months ago

    Have any of you ever wondered why CNF is sometimes “nonfiction” and sometimes “non-fiction”? I know I sure have (then again, that curiosity might just reveal my utter geekiness). But really, why do people […]

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    Katie Waring wrote a new post on the site The Contemporary Poem 11 years, 10 months ago

    If you haven’t heard me blabbing about it at some point or another, I’m currently working on a Directed Study with Chris Perri. In the CNF workshop I took with him last semester, we had to incorporate some sort of research into our second assignment. As I tried to come up with possible topics, I remembered my mom mentioning something about a village specifically for people with epilepsy when we were driving up to Geneseo, and since my dad has epilepsy—and I had it, growing up—I decided to research that. Since then, it’s spiraled into a year-long research project.

    A little backhistory: the Craig Colony for Epileptics (located in Sonyea, which is Exit 6 on 390—like 15 minutes south of Geneseo) opened in 1896 and was the first epileptic colony in the United States. William Pryor Letchworth (of Letchworth State Park) played a huge role in convincing the State Board of Charities to open the colony, with the end goal of removing epileptics (who were at the time considered mentally ill/retarded) from state poorhouses and asylums and giving them a place where (surrounded by other epileptics), they could lead as normal lives as possible. It was basically a self-sustaining little village, with houses and shops and farms—except that patients checked into the colony never really left the colony. As many as 1/3 of the population were children, and more times than not, patients admitted to the colony lived there until they died of old age (or complications from epilepsy/other medical issues). It operated through the late 1980s (but by then was focused more on developmentally disabled adults than epileptics), when the State began to push for community-based group homes over institutions. Now, the buildings from the colony are Groveland Prison.

    So far, I’ve interviewed three people about the colony—two nurses who worked/went to school there, and a historian in Leicester who’s been collecting research and data about all colony-related things for the past few decades. I’m hoping to interview a few more nurses (and possibly a former patient or two) by the time this semester’s over. Next semester, I’ll (hopefully) begin drafting the beginning chapters of a book based on all this research.

    I just happened to interview June Jones the weekend before my workshop poem for this round was due. June currently lives in Canandaigua, and a few months ago she donated the uniform she was required to wear as a nursing student at the colony to the Livingston County Historical Museum on Center Street. My friend is an intern at the museum, told me about the uniform, and the woman who runs the museum was kind enough to give me June’s phone number so I could reach out to her.

    For the most part, the poem that was workshopped today is verbatim transcription from my interview with her—I recorded our conversation on my phone and transcribed it, word for word, onto my laptop. There are a few long pauses between bits of dialogue, and a couple moments when I interjected or asked a question that I decided not to include, but every word in the poem is direct dialogue from June.

    Because I’ve been focusing so much on the research aspects of the colony in my directed study—the historical data on how it began and who the patients were and what went on there—I thought it would be cool to focus on a more personal anecdote that came about as a result of the colony’s existence: June’s romantic relationships sprung from her time at the colony, and I was intrigued by that idea. Hence, the poem.

    For some reason, it never hit me that I could incorporate my nonfiction research into poetry until we read Copia for class. When Erika was talking about the process behind writing “All that Blue Fire,” I was really intrigued and inspired by how fluid the genre borders are between documentary poetry and new journalism/creative nonfiction, so I decided to do a little experiment. “Old School” is the result.

    Wow, this post ended up being really long, I’m sorry. I could go on for ages about all this…if anyone’s interested in documentary poetry-nonfiction crossover/epileptic colonies/eugenics, feel free to track me down sometime. I’d love to talk!

  • Profile picture of Katie Waring

    Katie Waring wrote a new post on the site The Contemporary Poem 11 years, 10 months ago

    I just learned I’ve been spelling “catalog” wrong my entire life. At least, wrong as in I’m American and we’re in America and Americans apparently drop the -ue endings of random various words. Yes, that means I’ve […]

  • Profile picture of Katie Waring

    Katie Waring wrote a new post on the site The Contemporary Poem 11 years, 10 months ago

    One of the books Erika Meitner lists as recommended reading for Copia is a CNF book that’s part investigative journalism, part memoir, by journalist Charlie LeDuff called Detorit: An American Autopsy. I have a […]

  • Profile picture of Katie Waring

    Katie Waring wrote a new post on the site The Contemporary Poem 11 years, 10 months ago

    Okay, so before I signed up for Poetry, I knew a lot of poets had certain ‘obsessions’ that they tended to write about or get ‘fixated’ on. Perhaps because of my incredibly short attention span I didn’t, in a million years, think I would be one of those poets. After all, how can you fixate on something if you can’t even sit through a 20-minute episode of Parks and Rec without getting distracted by something?

    Then came the jellyfish. I swear, I don’t have some sort of weird history with jellyfish. As far as I can remember, I’ve never even been stung by one. But they’re so interesting! One day, I was scrolling through my Facebook newsfeed and one of those, probably-spam, annoying buzfeed-but-not-buzfeed articles popped up–titled something along the lines of, “21 Weird Facts That Will Shock and Amaze You.” I, having a short attention span, got distracted by the jellyfish photo attached to the article and clicked on the probably-spam/site covered in random ads link.

    And there, on my computer scrren, was the fact about the turritopsis dohrnii jellyfish being immortal.

    I mean, seriously, what other creature out there has the ability to revert itself to sexual immaturity after growing old? And are completely see-through? And are just kind of floating, gelatinous balls of water and skin and tentacles?

    Since then, I’ve had an odd fixation on jellyfish. They’ve shown up in several of the poems I’ve written for class, and I’m currently working on a nonfiction piece about the freakin’ things. (Also, we’re reading Lia Purpura’s On Looking collection for Lyric Essay, and she tends to fixate on jelllyfish imagery throughout the collection–coincidence much?)

    Okay, so maybe I’m a little weird. But what about you guys? Do you have certain things that you fixate on in your poetry? And how did you first stumble across that fixation?

     

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