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	<title>English @ SUNY Geneseo | Isabel Owen | Activity</title>
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				<title>Isabel Owen edited the blog post Concluding thoughts: Confederate flags, the National Memorial for Peace and Justice, &#038; the both/and of memory in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/10208/</link>
				<pubDate>Thu, 03 May 2018 02:54:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>As someone who studies history, I&#8217;ve always been concerned with memory. And this class has memory at its center. It has allowed me to think of the ways that memory can represent a both/and. It reminds me that [&hellip;] <img loading="lazy" src="https://img.washingtonpost.com/wp-apps/imrs.php?src=https://img.washingtonpost.com/blogs/style-blog/files/2015/06/2015-06-27T165433Z_01_TOR680R_RTRIDSP_3_USA-SHOOTING-FLAG-REMOVAL.jpg&amp;w=1484" /></p>
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				<title>Isabel Owen edited the blog post Response to the &quot;irony of aid&quot;, providing aid within the colonialist context in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/10123/</link>
				<pubDate>Mon, 30 Apr 2018 04:42:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>Neha recently made a caring blog post about the irony of aid, thinking about Jo Cosme&#8217;s tarot cards, the etymology of aid, and the essential lack of care in the U.S. response to Hurricane Maria, especially [&hellip;]</p>
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				<title>Isabel Owen edited the blog post Thinking about care; remembering Salvador in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/10020/</link>
				<pubDate>Thu, 19 Apr 2018 05:22:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>I&#8217;ve been thinking a lot about the article we read on prison abolition&#8211; <a href="https://thenewinquiry.com/free-us-all/" rel="nofollow ugc">&#8220;Free Us All&#8221;—</a> and the lessons about care embedded into it. I don&#8217;t think it is easy for many to associate radical politics with care, partially because of the connotations associated with the word &#8220;radical.&#8221; Yet, this is exactly what is happening in the feminist and fe&hellip;<span class="activity-read-more" id="activity-read-more-10020"><a href="https://sunygeneseoenglish.org/activity/p/10020/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen edited the blog post Global Connections: Invisible and Hypervisible Salvador in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/9948/</link>
				<pubDate>Mon, 09 Apr 2018 20:13:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>&nbsp;</p>
<p><em>“This process of forgetting is essential to the social construction of the city, creating in essence two cities, a ‘visible city as much as an invisible city.’”</em> –Keisha-Khan Y. Perry, <a href="https://www.upress.umn.edu/book-division/books/black-women-against-the-land-grab" rel="nofollow ugc"><em>Black Women Against the Land Grab: The Fight for Racial Justice in Brazil</em></a></p>
<p><!--more--></p>
<p>If New Orleans is considered an Unfathomable City, then some anthropol&hellip;<span class="activity-read-more" id="activity-read-more-9948"><a href="https://sunygeneseoenglish.org/activity/p/9948/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen edited the blog post Forgetting Typhoon Tip in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/9956/</link>
				<pubDate>Mon, 09 Apr 2018 20:12:22 -0500</pubDate>

									<content:encoded><![CDATA[<p><i><span>By Matt Albanese, Noah Mazer, Tree McNulty, Isabel Owen, Melissa Rao, Don Rothwein, and Davina Ward</span></i><br />
<strong>The Story of Typhoon Tip</strong><br />
<span>The scientific knowledge for Typhoon Tip/Warling is extensive. According a 1980 article entitled “</span><a href="https://journals.ametsoc.org/doi/pdf/10.1175/1520-0493%281980%29108%3C1915%3AAAOSTT%3E2.0.CO%3B2" rel="nofollow ugc"><i><span>An Analysis of Super Typhoon Tip</span></i></a><span>” by George Dunnavan and John Diercks, Tip is the most studied storm in recent memory. For&hellip;</span><span class="activity-read-more" id="activity-read-more-9956"><a href="https://sunygeneseoenglish.org/activity/p/9956/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen edited the blog post Response to Christina&#039;s post on sentinel species in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/9882/</link>
				<pubDate>Wed, 28 Mar 2018 05:57:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>A few weeks ago, Christina wrote a rich blog <a href="http://morrison.sunygeneseoenglish.org/2018/03/09/sentinel-species-range-and-new-orleans/" rel="nofollow ugc">post</a> about using the concepts of sentinel species and range to contextualize post-Katrina New Orleans as a &#8220;canary in the coal mine.&#8221; She discussed how what happened in New Orleans allowed for increased discussion on topics like climate change, the environment, and how our government reacts to&hellip;<span class="activity-read-more" id="activity-read-more-9882"><a href="https://sunygeneseoenglish.org/activity/p/9882/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen edited the blog post What happened to ACORN? Have we seen this before? in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/9817/</link>
				<pubDate>Tue, 20 Mar 2018 05:24:42 -0500</pubDate>

									<content:encoded><![CDATA[<p><a href="https://media.gettyimages.com/photos/sign-in-front-of-a-home-destroyed-by-hurricane-katrina-reads-no-even-picture-id56539318" rel="nofollow ugc"><img loading="lazy" src="https://media.gettyimages.com/photos/sign-in-front-of-a-home-destroyed-by-hurricane-katrina-reads-no-even-picture-id56539318" width="378" height="252" /></a></p>
<p>In class, we got our first glimpse of ACORN through Josephine Butler and her granddaughter, Tanya Harris. Both wore bright red T-shirts adorned with an ACORN symbol&#8211; a typical field uniform&#8211; as they were interviewed on a hot, bright day amid the destruction in the Lower Ninth Ward.</p>
<p><!--more--></p>
<p>ACORN, which stands for Association of Community&hellip;<span class="activity-read-more" id="activity-read-more-9817"><a href="https://sunygeneseoenglish.org/activity/p/9817/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen edited the blog post Catastrophes, wishes, and provision ground ideology in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/9751/</link>
				<pubDate>Fri, 02 Mar 2018 04:22:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>&#8220;&#8230;Catastrophe may reemerge from memory in the shape of a wish.&#8221;—Joseph Roach</p>
<p>I feel that this is a quote that we have not yet unpacked so deeply in class. Even so, this piece of Roach&#8217;s discussion on performance, autochthony, allochthony, and origins stuck out to me. Maybe it&#8217;s partially the elegance of the phrase: the juxtaposition of st&hellip;<span class="activity-read-more" id="activity-read-more-9751"><a href="https://sunygeneseoenglish.org/activity/p/9751/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen edited the blog post On the life and death of Muhiyidin Moye, Black Lives Matter activist in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/9652/</link>
				<pubDate>Wed, 14 Feb 2018 15:03:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>In February, 2017, Muhiyidin Moye leaped across police tape to remove a Confederate flag from the hands of a Demonstrator in Charleston, South Carolina&#8211; and it was captured on national live television. A prominent Black Lives Matter activist, Moye took an intersectional and local approach to his work, rising in protest in Mount Pleasant against&hellip;<span class="activity-read-more" id="activity-read-more-9652"><a href="https://sunygeneseoenglish.org/activity/p/9652/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen edited the blog post Instruments for and against memory in the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/9583/</link>
				<pubDate>Sun, 04 Feb 2018 04:07:59 -0500</pubDate>

									<content:encoded><![CDATA[<p><em>“Echoes in the bone refer to not only to a history of forgetting but to a history of empowering the living through the performance of memory.”</em> —Joseph Roach, &#8220;Echoes in the Bone&#8221;</p>
<p>I felt my most profound stirring at the <a href="http://www.yadvashem.org" rel="nofollow ugc">Yad Vashem Holocaust Museum </a>in Jerusalem when I entered the Children’s Memorial. <!--more-->Eyes squinting from the sun soon entered&hellip;<span class="activity-read-more" id="activity-read-more-9583"><a href="https://sunygeneseoenglish.org/activity/p/9583/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen joined the group American Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/9524/</link>
				<pubDate>Sun, 28 Jan 2018 00:49:57 -0500</pubDate>

				
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				<title>Isabel Owen commented on the post, Comfort Zones, on the site The Contemporary Poem</title>
				<link>http://cpoem.sunygeneseoenglish.org/2017/11/14/comfort-zones/#comment-10835</link>
				<pubDate>Sat, 25 Nov 2017 21:12:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>You bring up so many good questions, ones that I ask myself often. For the first part of your question about comfort zones, I would say not to overthink it. I&#8217;ve asked myself that a lot&#8211; but I think it&#8217;s [&hellip;]</p>
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				<title>Isabel Owen edited the blog post Martín Espada, poetry, activism, and a what does it mean to live as a poet? in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/8997/</link>
				<pubDate>Fri, 10 Nov 2017 21:05:47 -0500</pubDate>

									<content:encoded><![CDATA[<p>Last week, I had the awesome opportunity to attend the Forum for Undergraduate Student Editors (FUSE) Conference with a few of my fellow classmates. Lizzie, Meg, Sara, and I stayed in a super cozy B&amp;B just outside of Philly. I could go on about this fancy Air B&amp;B and its fancy water-saving toilet, but I would digress.</p>
<p>Something I began thinking&hellip;<span class="activity-read-more" id="activity-read-more-8997"><a href="https://sunygeneseoenglish.org/activity/p/8997/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen edited the blog post Losing poems, &#038; why do good poets get to use abstractions and I can&#039;t in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/8897/</link>
				<pubDate>Fri, 10 Nov 2017 20:35:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>A few months ago, I received a great poem in my inbox. I get those every morning, thanks to my subscription to Poem-A-Day from the Academy of American Poets (Plugging not because I&#8217;m getting paid but because Poem-A-Day is awesome. ) But, this poem took me a little.</p>
<p>I forgot what the poem was called, or who wrote it. I remembered that the poem&hellip;<span class="activity-read-more" id="activity-read-more-8897"><a href="https://sunygeneseoenglish.org/activity/p/8897/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen commented on the post, Seeking Poetic Signature, on the site The Contemporary Poem</title>
				<link>http://cpoem.sunygeneseoenglish.org/2017/11/09/seeking-poetic-signature/#comment-10761</link>
				<pubDate>Fri, 10 Nov 2017 20:25:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>This is a question that I think about a lot. For me, my poetic style changes so much (at least to me) that I wonder if I even have a discernible &#8220;poetic style.&#8221; I agree with you that for our class, it is pretty [&hellip;]</p>
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				<title>Isabel Owen commented on the post, Full Stop Therapy for Disaffected Teens, on the site The Contemporary Poem</title>
				<link>http://cpoem.sunygeneseoenglish.org/2017/10/23/full-stop-therapy-for-disaffected-teens/#comment-10664</link>
				<pubDate>Wed, 25 Oct 2017 19:36:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>Hi, Will- </p>
<p>Maybe I&#8217;m just trying to channel my inner Facebook aunt on this blog. </p>
<p>All my best,<br />
Isabel</p>
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				<title>Isabel Owen commented on the post, Starting Anew: Looking at &#034;The Greats&#034; for the first time, on the site The Contemporary Poem</title>
				<link>http://cpoem.sunygeneseoenglish.org/2017/10/18/starting-anew-looking-at-the-greats-for-the-first-time/#comment-10626</link>
				<pubDate>Thu, 19 Oct 2017 00:17:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>Hey Meg&#8211;as we went over in class, I feel a lot of the same way about reading &#8220;the classics,&#8221; and I also find that my knowledge of poetry is lacking. Of course, we are probably underestimating both of ourselves. [&hellip;]</p>
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				<title>Isabel Owen edited the blog post more on moments in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/8683/</link>
				<pubDate>Mon, 25 Sep 2017 06:46:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>We&#8217;ve been talking a lot about the line as moment, but what should we do about the poetic moment overall? I mean to say&#8211; what do we do when we are struck with a moment of beauty, or sadness, or *insert other abstraction*&#8211; where do you go first?</p>
<p>There are deeper parts of my mind that I feel I am gaining access to lately, and they have an&hellip;<span class="activity-read-more" id="activity-read-more-8683"><a href="https://sunygeneseoenglish.org/activity/p/8683/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen changed their profile picture</title>
				<link>https://sunygeneseoenglish.org/activity/p/8684/</link>
				<pubDate>Mon, 25 Sep 2017 06:43:30 -0500</pubDate>

				
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				<title>Isabel Owen edited the blog post Ríos and the &quot;long line&quot; as a moment in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/8557/</link>
				<pubDate>Mon, 11 Sep 2017 05:30:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Thinking about the line as a moment said exactly what I’ve been trying to articulate about poetry for a while. What draws me to poetry is something about the way that words and lines work as units that provide something intangible and sentient to me as a reader. For example, I’ve always been fascinated with the word “geography”—the way it looks,&hellip;<span class="activity-read-more" id="activity-read-more-8557"><a href="https://sunygeneseoenglish.org/activity/p/8557/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen commented on the post, Tides &#038; Curly Fries, on the site The Contemporary Poem</title>
				<link>http://cpoem.sunygeneseoenglish.org/2017/08/30/tides-curly-fries/#comment-10417</link>
				<pubDate>Wed, 06 Sep 2017 18:57:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>Hi Grace,</p>
<p>I loved reading your post, especially because I relate strongly. I, too, was a camp counselor this summer, a demanding position that leaves little time for writing and self-reflection. What I did [&hellip;]</p>
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				<title>Isabel Owen edited the blog post Braiding Identity and &quot;A Short Essay on Being&quot; in the group Fact vs. Nonfiction</title>
				<link>https://sunygeneseoenglish.org/activity/p/8044/</link>
				<pubDate>Wed, 10 May 2017 06:41:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>According to the Purdue Online Writing Lab, the braided essay is “broken into sections using medial white space, lines of white space on a page where there are no words (much like stanzas in poetry), and each time there is a section break, the writer moves from one ‘thread’ to another.”</p>
<p>I find this definition limiting, especially due to the fac&hellip;<span class="activity-read-more" id="activity-read-more-8044"><a href="https://sunygeneseoenglish.org/activity/p/8044/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen edited the blog post Writing exercise: glossary poem in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/7636/</link>
				<pubDate>Tue, 22 Nov 2016 05:58:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>In Solmaz Sharif&#8217;s <em>Look: Poems</em>, pieces about the U.S. wars in Iraq and Afghanistan rely on using the dual meanings of words of war utilized by the government. Those include words such the one used in the collection title and first poem—</p>
<p><em>look— (*) In mine warfare, a period during which a mine circuit is receptive of an influence. </em></p>
<p>We can th&hellip;<span class="activity-read-more" id="activity-read-more-7636"><a href="https://sunygeneseoenglish.org/activity/p/7636/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen wrote a new blog post Snowy night and reflection on Joan Kane&#039;s reading in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/7625/</link>
				<pubDate>Mon, 21 Nov 2016 05:22:09 -0500</pubDate>

									<content:encoded><![CDATA[<p>Last Thursday, quite a few members of Geneseo’s English community took a breath as we listened to Joan Kane’s poetry. Not to my surprise, her poetry read aloud is as quiet as it is on the page. The natural ima [&hellip;]</p>
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				<title>Isabel Owen edited the blog post Poets: Where do we go from here? in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/7600/</link>
				<pubDate>Thu, 10 Nov 2016 02:12:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>We find ourselves at an interesting intersection in history. Just yesterday in class (can you believe it?) we spoke prophetically about  our first woman president, our Madam President, predicting the epistemic event it would incur, all with a quiet surety hidden with “whens” quickly corrected to “ifs”, the “ifs” serving more as a “knock on wo&hellip;<span class="activity-read-more" id="activity-read-more-7600"><a href="https://sunygeneseoenglish.org/activity/p/7600/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen joined the group Irish Studies</title>
				<link>https://sunygeneseoenglish.org/activity/p/7527/</link>
				<pubDate>Wed, 02 Nov 2016 18:36:23 -0500</pubDate>

				
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				<title>Isabel Owen edited the blog post The trigger warning as prevention in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/7455/</link>
				<pubDate>Mon, 24 Oct 2016 01:23:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>This Thursday at a Guerrilla meeting, after going over some ideas, plans, and hopes for future projects, we had a talk about trigger warnings. I realized during that discussion that I didn&#8217;t think that much about trigger warnings, or rather that I was not aware of the complete range of reasons for using them. Although I have used them before, I&#8217;m&hellip;<span class="activity-read-more" id="activity-read-more-7455"><a href="https://sunygeneseoenglish.org/activity/p/7455/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen wrote a new blog post Hiding from identity in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/7418/</link>
				<pubDate>Fri, 14 Oct 2016 20:03:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>One of the things that first attracted me to creative writing and reading/writing poetry was the notion of it as an almost otherworldly, sublime escape from the rigidness and mayhem of daily life. One reason that [&hellip;]</p>
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				<title>Isabel Owen edited the blog post The poem, alive in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/7313/</link>
				<pubDate>Mon, 26 Sep 2016 17:56:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>These past few weeks, I&#8217;ve been feeling poetry in a different way. Maybe it&#8217;s workshop, maybe it&#8217;s because of the literary organizations that I&#8217;ve decided to join, maybe it&#8217;s something happening to me neurologically that I could not pinpoint without an MRI. Maybe it&#8217;s all of the above. Whatever it is, it is a marked point in a lifetime when&hellip;<span class="activity-read-more" id="activity-read-more-7313"><a href="https://sunygeneseoenglish.org/activity/p/7313/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabel Owen wrote a new blog post Touch in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/7009/</link>
				<pubDate>Mon, 05 Sep 2016 02:33:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>Touch by John Godfrey<br />
The gauntlet puts on weight</p>
<p>and I climb into its thumb<br />
which balances and then teeters</p>
<p>and thuds against my nose<br />
and I see stars forever having</p>
<p>forgot aspirations of diligence and [&hellip;]</p>
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				<title>Isabel Owen wrote a new blog post The &quot;image&quot; as an emotional and intellectual complex in the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/6870/</link>
				<pubDate>Tue, 30 Aug 2016 19:40:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>&#8220;An &#8220;image&#8221; is an emotional and intellectual complex in an instant of time&#8230; It is the presentation of such a &#8220;complex&#8221; instantaneously which gives that sense of sudden liberation; that sense of freedom from time [&hellip;]</p>
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				<title>Isabel Owen joined the group The Contemporary Poem</title>
				<link>https://sunygeneseoenglish.org/activity/p/6860/</link>
				<pubDate>Tue, 30 Aug 2016 18:46:14 -0500</pubDate>

				
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				<title>Isabel Owen wrote a new blog post Fact and Fiction in Edwidge Danticat&#039;s &quot;Children of the Sea&quot; in the group Fact vs. Nonfiction</title>
				<link>https://sunygeneseoenglish.org/activity/p/6512/</link>
				<pubDate>Thu, 12 May 2016 09:38:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>“Children of the Sea” by Edwidge Danticat is a short story that I read last semester in Maria Lima’s 203, Reading Transnationally. It is a fictional piece about the experience of two teenage lovers who are separ [&hellip;]</p>
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				<title>Isabel Owen wrote a new blog post Fact and Fiction in Nate Pritts&#039; Poetry in the group Fact vs. Nonfiction</title>
				<link>https://sunygeneseoenglish.org/activity/p/6511/</link>
				<pubDate>Thu, 12 May 2016 08:57:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>This analysis is based on the second poem from “Pattern Exhaustion” (on page 12 of Post Human, if you have the book handy.)</p>
<p>After attending the Nate Pritts reading and buying his book, I began to notice in his [&hellip;]</p>
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				<title>Isabel Owen joined the group Fact vs. Nonfiction</title>
				<link>https://sunygeneseoenglish.org/activity/p/6427/</link>
				<pubDate>Sat, 07 May 2016 20:28:18 -0500</pubDate>

				
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				<guid isPermaLink="false">7897e9111c203e9f8eab2161c4abf93a</guid>
				<title>Isabel Owen changed their profile picture</title>
				<link>https://sunygeneseoenglish.org/activity/p/5984/</link>
				<pubDate>Wed, 10 Feb 2016 09:01:49 -0500</pubDate>

				
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				<guid isPermaLink="false">920991e22e986c1a9340de418bfcc2e9</guid>
				<title>Isabel Owen changed their profile picture</title>
				<link>https://sunygeneseoenglish.org/activity/p/5832/</link>
				<pubDate>Mon, 25 Jan 2016 01:03:36 -0500</pubDate>

				
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				<guid isPermaLink="false">7949334e7e11f8bbef3e074bc04b1669</guid>
				<title>Isabel Owen became a registered member</title>
				<link>https://sunygeneseoenglish.org/activity/p/5814/</link>
				<pubDate>Sun, 24 Jan 2016 18:40:50 -0500</pubDate>

				
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