• This past week I signed up for daily poems to be sent to my email on behalf of the poetry foundation. It pleases me to wake up with a poem every day because it helps me interact with the poem more closely—and my day begins on a pensive note. Today’s poem was called “The Poem You’ve Been Waiting For,” by  Tarfia Faizullah. The poem is beautiful and seems to be about a reflection—within or outside of oneself. The lines reflect one another, and move across moments seamlessly in a sentence. It’s feels like a train, passing destinations within seconds. Except Faizullah accomplishes this technique with a subtlety that feels like a whisper, and readers are left to dwell on what they just read, why it makes them feel nostalgic, and how it felt like a magical blur. For example:

    to take me. I saw then the gnawing

    sounds my faith has been making
    and I saw too that the shape it sings

    in is the color of cast-iron mountains
    I drove so long to find I forgot I had

    Notice how the speaker moves from one line to the next, without hesitance or ending. The lines move fluidly. Everything she speaks about such as “the shape” or the “the color” are vague and are only used to create an outline of an image as opposed to a real image. This allows the reader to fill in the outline with their own associations. This poem gave me goosebumps because of it’s ability to create universality. I can relate this poem to many aspects of my life. The “you” could be an older version of myself, or it could be a lover, or even a family member. The magic of this poem is that it applies to whoever reads it, and leaves a significant message. It encourages readers to think about their lives in a deeper way and to consider re-evaluating the moments that have led up to their current self. It is very much a poem that someone might have been waiting to hear, an extra push forward or a symbol of hope. There’s a lot more to be considered here that I will continue to think about. And I am intrigued by Faizullah’s skillful use of language.

    I saw then the white-eyed man
    leaning in to see if I was ready

    yet to go where he has been waiting
    to take me. I saw then the gnawing

    sounds my faith has been making
    and I saw too that the shape it sings

    in is the color of cast-iron mountains
    I drove so long to find I forgot I had

    been looking for them, for the you
    I once knew and the you that was born

    waiting for me to find you. I have been
    twisting and turning across these lifetimes

    where forgetting me is what you do
    so you don’t have to look at yourself. I saw

    that I would drown in a creek carved out
    of a field our incarnations forged the first path

    through to those mountains. I invited you to stroll
    with me there again for the first time, to pause

    and sprawl in the grass while I read to you
    the poem you hadn’t known you’d been waiting

    to hear. I read until you finally slept
    and all your jagged syntaxes softened into rest.

    You’re always driving so far from me towards
    the me I worry, without you, is eternity. I lay there,

    awake, keeping watch while you snored.
    I waited, as I always seem to, for you

    to wake up and come back to me