<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>English @ SUNY Geneseo | Site-Wide Activity</title>
	<link>https://sunygeneseoenglish.org/activity/</link>
	<atom:link href="https://sunygeneseoenglish.org/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for the entire site.</description>
	<lastBuildDate>Tue, 20 Oct 2026 21:38:03 -0500</lastBuildDate>
	<generator>https://buddypress.org/?v=</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">1b624b84f857aeb1718cd784daa5b34f</guid>
				<title>Maggie Martin commented on the post, The Thresher&#039;s Labour, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-threshers-labour/#comment-543</link>
				<pubDate>Mon, 19 Oct 2026 21:15:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>Annotations for lines 276-281    I sense some irony and criticism in these lines. While the master invited the workers to feast with him, it feels like there is some mockery when the narrator says that &#8220;he, too [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">015a3109dc358778ee73150c114bb3a4</guid>
				<title>Maggie Martin commented on the post, The Thresher&#039;s Labour, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-threshers-labour/#comment-542</link>
				<pubDate>Mon, 19 Oct 2026 20:57:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>Annotations for lines 137-142    The use of repetition in these lines helps readers to understand what kind of sustenance is served to those working. This also helps to show that no matter how much (which isn&#8217;t [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">b159f77f467982fe749b5b60300ed463</guid>
				<title>Maggie Martin commented on the post, The Thresher&#039;s Labour, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-threshers-labour/#comment-541</link>
				<pubDate>Mon, 19 Oct 2026 20:48:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>Annotation for lines43-48    The imagery in these lines helps the reader visualize the labor conditions people were forced to endure during this time. In line 43, &#8220;briny streams our sweat descends&#8221; is a vivid [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">b7e9a73690d5501934757bc1a8c5d987</guid>
				<title>Franco Justincic commented on the post, The Woman&#039;s Labour: To Mr. Stephen Duck, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-womans-labour-to-mr-stephen-duck/#comment-540</link>
				<pubDate>Mon, 19 Oct 2026 17:06:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>My comment above is the [connect] comment</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">316b18444d835b00b5580fb00ff06c56</guid>
				<title>Franco Justincic commented on the post, The Woman&#039;s Labour: To Mr. Stephen Duck, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-womans-labour-to-mr-stephen-duck/#comment-539</link>
				<pubDate>Mon, 19 Oct 2026 17:05:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>Here she&#8217;s saying that women work so hard but still end up poor. They do all this work and don&#8217;t really get much back for it. I think she&#8217;s showing how unfair it is.   </p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">50c360ef7a95ac3fc42fc1820aa90e65</guid>
				<title>Franco Justincic commented on the post, The Woman&#039;s Labour: To Mr. Stephen Duck, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-womans-labour-to-mr-stephen-duck/#comment-538</link>
				<pubDate>Mon, 19 Oct 2026 16:56:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>This shows how much work women have to do every day. They work in the fields and then still have to go home and take care of their kids and do more work. They barely get any time to rest.   </p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">31531286fba5ceaeef29609aa47198b0</guid>
				<title>Franco Justincic commented on the post, The Woman&#039;s Labour: To Mr. Stephen Duck, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-womans-labour-to-mr-stephen-duck/#comment-537</link>
				<pubDate>Mon, 19 Oct 2026 16:51:14 -0500</pubDate>

									<content:encoded><![CDATA[<p>Collier is basically calling Duck out because he makes it seem like women don&#8217;t work as hard as men. She&#8217;s showing that women work just as hard and deserve credit too.   </p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">b23a06b8732b1e10a68040d2050f4616</guid>
				<title>Franco Justincic commented on the post, The Thresher&#039;s Labour, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-threshers-labour/#comment-536</link>
				<pubDate>Mon, 19 Oct 2026 16:43:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this part they talk about how the workers barely get any time to relax because they are always working. They get up early and go to bed late, and even their days off aren&#8217;t really free. I think it shows how [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">d3044d385c50a0801d52818d0bddcc47</guid>
				<title>Franco Justincic commented on the post, The Thresher&#039;s Labour, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-threshers-labour/#comment-535</link>
				<pubDate>Mon, 19 Oct 2026 16:39:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>Throughout this part the workers are happy to be working outside instead of inside, but once it gets hot, they start getting really tired. I think it shows that even when they get to do something different, the [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">008a6fbda557bc641c22da83d451e8cf</guid>
				<title>Franco Justincic commented on the post, The Thresher&#039;s Labour, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-threshers-labour/#comment-534</link>
				<pubDate>Mon, 19 Oct 2026 16:33:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>I noticed how hard the workers have to work and how the master is always pushing them to do more. Even when they are already tired, he still wants them to work faster. I think it shows how hard and unfair their lives were.   </p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">a85773f18011f1bc5be62e8dfecc1997</guid>
				<title>Anna commented on the post, Canto I, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-i/#comment-533</link>
				<pubDate>Mon, 12 Oct 2026 17:12:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>What isn&#8217;t clear to me here is why Belinda is described as worshipping the “Cosmetic pow’rs” and beginning the “sacred rites of Pride.” I understand that she is getting ready in front of her mirror, but I&#8217;m not s [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">81709a873d9d75501a6d087a2e9c6ffb</guid>
				<title>Anna commented on the post, Canto I, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-i/#comment-532</link>
				<pubDate>Mon, 12 Oct 2026 17:11:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>What isn&#8217;t clear to me here is what Ariel means when he says that spirits used to be enclosed in “Woman’s beauteous mould” before moving into “these of air.” Is he saying that the spirits were once women who died [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">70eccfe1435b5dc0d67aae025ce83af7</guid>
				<title>Waylon Mattimore commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-531</link>
				<pubDate>Thu, 01 Oct 2026 22:01:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>I feel like Pope is using these high society items and clothing as weapons in some type of battle. This makes the fight seem more dramatic and a little humorous. the fact that these fighters are not fighters at [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">05de4c259ccff94e79d00a5fd48db08b</guid>
				<title>Waylon Mattimore commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-530</link>
				<pubDate>Thu, 01 Oct 2026 21:50:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>I feel like lock is trying to talk about beauty fading as you get older in these lines. Clarissa is talking about how you will lose your beauty in hair no matter how hard you try and maintain it.</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">9dfe54edec9f45fb6226bb346c114e07</guid>
				<title>Waylon Mattimore commented on the post, Canto IV, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iv/#comment-529</link>
				<pubDate>Thu, 01 Oct 2026 21:39:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>Is Belinda comparing herself to roses that bloom where no one can see them? Roses blooming in the desert aren&#8217;t an attraction for people to go and see. I feel like this reveals her feelings as she wishes to be [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">5c6ab1ce0dd3095e5b301ee52b484103</guid>
				<title>Waylon Mattimore commented on the post, Canto IV, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iv/#comment-528</link>
				<pubDate>Thu, 01 Oct 2026 21:35:16 -0500</pubDate>

									<content:encoded><![CDATA[<p>I feel like Pope is using the fire to describe Belinda&#8217;s anger. Thalestris &#8220;fans&#8221; this fire to get her more and more angry. This might be showing how a friend or relation&#8217;s reaction can make things worse sometimes.</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">3af88c5de1fa88acf4194fb36982b2d4</guid>
				<title>Waylon Mattimore commented on the post, Canto III, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iii/#comment-527</link>
				<pubDate>Thu, 01 Oct 2026 21:22:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>I feel like Pope is criticizing the justice system in these lines. He is creating a world where these officials are living a good life. I think the dine ending works really well. They have a really important [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">7cb27a95d5bd3613a1617f6904416960</guid>
				<title>Waylon Mattimore commented on the post, Canto III, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iii/#comment-526</link>
				<pubDate>Thu, 01 Oct 2026 21:17:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>It seems to me that Belinda is getting a haircut even though her hair seems &#8220;sacred.&#8221; I think that the repetition of &#8220;for ever&#8221; represents the exaggerated loss of her hair. Maybe this shows how beauty and [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">9dcc9eb6ba451c16c40c964c89264207</guid>
				<title>Anya Clark commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-525</link>
				<pubDate>Thu, 01 Oct 2026 21:12:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Religion is mentioned a few times throughout the poem such as here, when Belinda wears a cross that the infidels admire, the alters, etc. Pope is using religion in a satirical manner to expose the impious and [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">0c4c71140ad983e2ebf467add1ee0e8d</guid>
				<title>Anya Clark commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-524</link>
				<pubDate>Thu, 01 Oct 2026 21:03:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>[Not half so fix’d the Trojan could remain,]    The comparison of this story in &#8220;The Rape of the Lock&#8221; and the history and story of the fall of Troy might be doing more than providing social and political c [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">bbbc54f1d6dba06e10e9dc6cb999fce4</guid>
				<title>Anya Clark commented on the post, Canto IV, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iv/#comment-523</link>
				<pubDate>Thu, 01 Oct 2026 20:47:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>[ Men prove with child, as pow’rful fancy works,]    This line is very interesting. All the other changes involve inanimate objects coming alive and taking on human qualities or with the maids, turning into i [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">4075b486179f27a938a9fc44be70cdeb</guid>
				<title>Anya Clark commented on the post, Canto IV, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iv/#comment-522</link>
				<pubDate>Thu, 01 Oct 2026 20:35:52 -0500</pubDate>

									<content:encoded><![CDATA[<p>[E’er felt such rage, resentment, and despair,/ As thou, sad Virgin! for thy ravish&#8217;d Hair.]    Here, Pope uses Cynthia to juxtapose Belinda&#8217;s reaction and suffering. After the Baron cuts off Belinda&#8217;s hair, as p [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">78144942c99925720ce1e40d4c5f41e3</guid>
				<title>Anya Clark commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-521</link>
				<pubDate>Thu, 01 Oct 2026 20:28:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>[Few ask, if fraud or force attain’d his ends.]    Perhaps Pope is making social commentary on society. After creating the image of an adverse and hostile scene of what the Baron wants to do to Belinda, Pope w [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">6593acdfd4a6f0c222e505a9d393f751</guid>
				<title>Anya Clark commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-520</link>
				<pubDate>Thu, 01 Oct 2026 20:20:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>[Her lively looks a sprightly mind disclose,/ Quick as her eyes, and as unfix&#8217;d as those:/ Favours to none, to all she smiles extends;/ Oft she rejects, but never once offends.]    How Pope describes Belinda being [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">092f49251c68e37529c7f16380167e7d</guid>
				<title>Anya Clark commented on the post, Canto III, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iii/#comment-519</link>
				<pubDate>Thu, 01 Oct 2026 20:08:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>These two stanzas containing lines 47-74 describe and dramatize the card game (at least I think so). Pope has personified the cards and game.    &#8220;Led off two captive trumps, and swept the board.&#8221;    &#8220;Gain&#8217;d but [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">9f47ce4ce671027c6e9d34fe9cef82e2</guid>
				<title>Anya Clark commented on the post, Canto III, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iii/#comment-518</link>
				<pubDate>Thu, 01 Oct 2026 19:45:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>[In glitt’ring dust and painted fragments lie!]    This stanza is really interesting. It&#8217;s contrasting terror with beauty. Pope is making Belinda&#8217;s horror and terror seem like &#8220;living lightning from her eyes,&#8221; &#8221; [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">7e063be6f47da73a47684545c839b761</guid>
				<title>Julia Gartley commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-517</link>
				<pubDate>Thu, 01 Oct 2026 16:25:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>I was unclear in some of my other comments about what I mean when I use the word &#8220;trivial.&#8221; With this comment about Othello and others that I made about epic poems or Greek tragedies, I meant to point out examples [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">a8bcf0b919e5c064c27e6d1fd9160a34</guid>
				<title>Francesca Mastrangelo commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-516</link>
				<pubDate>Thu, 01 Oct 2026 14:13:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>When I hear the word &#8220;Altar&#8221;, I think of religion. The Pope presents the idea that the Baron is somewhat religious by building this Altar to pray for Belinda&#8217;s love. The descritption of this altar is extremely [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">312e74b38d04451af4f19e0706a10127</guid>
				<title>Francesca Mastrangelo commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-515</link>
				<pubDate>Thu, 01 Oct 2026 14:01:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>Pope uses the sun to compare to Belinda&#8217;s behavior. He uses phrases like &#8220;rival of his beams&#8221;, &#8220;bright as the sun, her eyes gazers strike&#8221; &#8220;and like th sun, they shine on all alike&#8221;. Belinda flaunts her beauty or [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">fa01d0f01342d6bc6966737635acd3dc</guid>
				<title>Julia Gartley commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-514</link>
				<pubDate>Thu, 01 Oct 2026 12:25:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>[But trust the Muse — she saw it upward rise]    Referencing the muse is another epic convention, and it lends some ironic gravitas to the conclusion of this ridiculous battle.</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">f16dda8220e7235cd0157c6bbaaf0083</guid>
				<title>Julia Gartley commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-513</link>
				<pubDate>Thu, 01 Oct 2026 12:22:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>[Not fierce Othello in so loud a strain Roar’d for the handkerchief that caus’d his pain.]    In Othello, the titular character is convinced that his wife Desdemona is cheating on him when a handkerchief that he g [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">613496a0289933f3958af0155043f4c2</guid>
				<title>Julia Gartley commented on the post, Canto IV, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iv/#comment-512</link>
				<pubDate>Thu, 01 Oct 2026 11:35:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>In lines 77 and 78, the words that complete the heroic couplet, chagrin and spleen, at least with my American accent, don&#8217;t rhyme perfectly. The poem up until this point is almost perfectly sing-songy, so this [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">2262bbb3b30ccffc1cf2772b1310b3bf</guid>
				<title>Julia Gartley commented on the post, Canto IV, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iv/#comment-511</link>
				<pubDate>Thu, 01 Oct 2026 11:27:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>In humoral theory, the spleen was thought to be the organ that produced black bile, which made a person melancholic. Here, Pope creates the Cave of Spleen, which is probably a place of melancholy.</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">4377e1e4bd12d26fbb613979c593f580</guid>
				<title>Madalyn Hayes commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-510</link>
				<pubDate>Thu, 01 Oct 2026 09:58:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>In lines 45-52, Pope utilizes the mock-epic style to its fullest extent. In these lines, Pope compares the perceivably petty battle between high society individuals of the time period as something comparable to [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">e93e22bd17a05e79ee0eb798831d25c9</guid>
				<title>Madalyn Hayes commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-509</link>
				<pubDate>Thu, 01 Oct 2026 09:52:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Here, Pope reinforces his mockery of the obsession and superficiality of beauty in high society. In this line, Pope explains that what truly matters is good sense, as beauty may gain these women a lot temporarily, [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">6ea815f2cf1c1db0bf18bc2c02c80494</guid>
				<title>Madalyn Hayes commented on the post, Canto IV, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iv/#comment-508</link>
				<pubDate>Thu, 01 Oct 2026 09:43:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>In lines 83-84, the Goddess of Spleen collects the force of &#8220;female lungs&#8221; which turn out to be sighs, sobs, passions, and the war of tongues. This reinforces a stereotype of the time period where women were [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">17b344af05cec24508dec3b29fb7848c</guid>
				<title>Madalyn Hayes commented on the post, Canto IV, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iv/#comment-507</link>
				<pubDate>Thu, 01 Oct 2026 09:37:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>Again, Belinda is referred to in a way that has a sexual connotation. Being referred to as a &#8220;prude&#8221; typically refers to someone overly modest or proper. However, there is also the aspect of Pope mocking Belinda&#8217;s [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">497744d69246aff2d794c87da842b642</guid>
				<title>Madalyn Hayes commented on the post, Canto III, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iii/#comment-506</link>
				<pubDate>Thu, 01 Oct 2026 09:25:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>This line establishes a pattern from canto II, where Belinda is talked about in an almost predatory way. She is referred to as &#8220;The Virgin&#8221;, making her &#8220;purity&#8221; the subject in this line rather than her name or [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">ab531973a32686c4d2fe417fc3eae1c9</guid>
				<title>Madalyn Hayes commented on the post, Canto III, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iii/#comment-505</link>
				<pubDate>Thu, 01 Oct 2026 09:13:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>Pope displays a pattern throughout the cantos of this theme of mockery of high society. The mock-epic itself, and then also the way he speaks about high society is satirical and critical. In this line, he refers [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">cf2fdac54edcf932d3517b600cabc9bc</guid>
				<title>Madalyn Hayes commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-504</link>
				<pubDate>Thu, 01 Oct 2026 09:02:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>Belinda is now protected by fifty Sylphs who see the harm that the Baron is trying to cause her, and immediately take action. However, while this is a mock-epic from Pope, it still feels overkill in a way. It [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">750acc950c174a5c85afcbaee2d0a0ad</guid>
				<title>Madalyn Hayes commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-503</link>
				<pubDate>Thu, 01 Oct 2026 08:44:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>There are very specific word choices from Pope in this line, as the line itself is referring to taking a lock of Belinda&#8217;s hair. The words &#8220;force&#8221;, &#8220;ravish&#8221;, and &#8220;fraud&#8221; are words that we would normally associate [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">2ee599c03179b649a3fd2ed544c6a4c6</guid>
				<title>Kristina Neos commented on the post, Canto III, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iii/#comment-502</link>
				<pubDate>Thu, 01 Oct 2026 04:44:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>Pope describes a simple card game using the language of war with the players preparing &#8220;in arms&#8221; and later saying the cards as troops. I think it&#8217;s quite interesting how he keeps making ordinary social activities [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">24c52659eab38c6a458612a2f0419829</guid>
				<title>Kristina Neos commented on the post, Canto III, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iii/#comment-501</link>
				<pubDate>Thu, 01 Oct 2026 04:42:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>I feel like it&#8217;s interesting that Pope puts the Queen taking political &#8220;counsel&#8221; and drinking tea right next to each other, almost making them sound just as important as each other. This is adding to the pattern [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">0f0cc731dc5240658f7c4564e5152513</guid>
				<title>Kristina Neos commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-500</link>
				<pubDate>Thu, 01 Oct 2026 04:40:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>I feel Pope is creating a big contrast between spirits who protect entire nations and the Sylphs who protect women&#8217;s beauty and looks. It&#8217;s kind of interesting that he describes both jobs so seriously, even though [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">e9148e4c41992d396843694752270314</guid>
				<title>Waylon Mattimore commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-499</link>
				<pubDate>Thu, 01 Oct 2026 04:39:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>Pope describes in these lines how having Belinda&#8217;s petticoat is like guarding it on a important military mission. I feel like this creates some sort of humor as if guarding this coat with your life is being described here.</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">7b5f8c8dd14dce460bd46a072c5c1af9</guid>
				<title>Waylon Mattimore commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-498</link>
				<pubDate>Thu, 01 Oct 2026 04:36:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>Pope is talking about serious concerns like reputation while also writing about damaged clothing and missed parties. I feel like these comparisons highlight this high society life that seems to consider [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">e269fc7bf42d17042e0572a8eaebbfb7</guid>
				<title>Kristina Neos commented on the post, Canto II, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-ii/#comment-497</link>
				<pubDate>Thu, 01 Oct 2026 04:34:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>Pope seems like he&#8217;s trying to create progression from the Baron seeing the lock and wanting it, and then deciding he is going to win it. I noticed that he calls the lock a &#8220;prize,&#8221; which seems to turn Belinda [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">aee0968b682be1f626afb97620859295</guid>
				<title>Kendra Brace commented on the post, Canto V, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-v/#comment-496</link>
				<pubDate>Thu, 01 Oct 2026 04:23:09 -0500</pubDate>

									<content:encoded><![CDATA[<p>This sounds similar to Pope saying, &#8220;time must go on&#8221;. That even though this whole quarrel will be memorialized, people will come and go, and the sun will always set, and that it doesn&#8217;t really matter in the grand [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">90858e938a8e518b851123074adeb895</guid>
				<title>Kendra Brace commented on the post, Canto IV, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iv/#comment-495</link>
				<pubDate>Thu, 01 Oct 2026 03:49:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>This line makes me think that Pope intended for the Sylphs and other fantastical creatures to be more than spirits that help Belinda, but also to represent her inner emotions, her feelings, and the inner workings [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">83a51c8339e57b0e5dbf70793bc5d0fb</guid>
				<title>Kendra Brace commented on the post, Canto III, on the groupblog Eighteenth-Century Innovations</title>
				<link>https://c18.sunygeneseoenglish.org/the-rape-of-the-lock/canto-iii/#comment-494</link>
				<pubDate>Thu, 01 Oct 2026 03:42:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>Pope writes this evil gloating monologue. It really helps develop this character into an antagonist. He&#8217;s selfish and cheers when he gets what he wants, even at the expense of others. He only looks after the prize [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
		
	</channel>
</rss>